Medea and Other Plays (Oxford World's Classics) - Euripides Review & Synopsis

Synopsis Euripides was one of the most popular and controversial of all Greek tragedians, and his plays are marked by an independence of thought, ingenious dramatic devices, and a subtle variety of register and mood. He is also remarkable for the prominence he gave to female characters, whether heroines of virtue or vice. This new translation does full justice to Euripides's range of tone and gift of narrative. A lucid introduction provides substantial analysis of each play, complete with vital explanations of the traditions and background to Euripides's world. Contains: Medea; Hippolytus; Electra; Helen About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more. Review Editor James Morwood is Grocyn Lecturer at Wadham College, Oxford.`Hellenists and generalists alike have reason to rejoice ... adds to our understanding and appreciation of a poet-playwright who has never ceased to controversial ... comprises four major plays that are wonderful to have together. Edith Hall's introductory essays ... are eloquent and informative, deftly highlighting each play's chief issues ... several new insights into the texts, and sound explanations of the mythical background and ongoing action ... James Morwood's translations ... are extraordinary. In crisp prose ... these may be the easiest-to-read accurate versions that we are likely to see and, in the inexpensive World Classics edition are quite a bargain. No others ... lend themselves to such a ready reading ... The sheer clarity of the English is a considerable achievement.' Victor Castellani, The Classical Outlook/Fall 1999, Volume 77, no 1 Medea and Other Plays The four tragedies collected in this volume all focus on a central character, once powerful, brought down by betrayal, jealousy, guilt and hatred. The first playwright to depict suffering without reference to the gods, Euripides made his characters speak in human terms. The four tragedies collected in this volume all focus on a central character, once powerful, brought down by betrayal, jealousy, guilt and hatred." Medea Introduction and Notes by Robin Mitchell-Boyask. Introduction and Notes by Robin Mitchell-Boyask." Heracles and Other Plays "There is death in Alcestis, which explores the marital relationship of Alcestis and Admetus with pathos and grim humour, but whose status as tragedy is subverted by a happy ending. The blood-soaked Heracles portrays deep emotional pain and undeserved suffering; its demand for a more humanistic ethics in the face of divine indifference and callousness makes it one of Euripides' more popular and profound plays. Children of Heracles is a rich and complex work, famous for its dialogues and monologues, in which the effects of war on refugees and the consequences of sheltering them are explored. In Cyclops Euripides takes the familiar story of Odysseus' escape from the Cyclops Polyphemus and turns it to hilarious comic effect."--BOOK JACKET. In Cyclops Euripides takes the familiar story of Odysseus' escape from the Cyclops Polyphemus and turns it to hilarious comic effect."--BOOK JACKET." Six Tragedies This is a lively, readable and accurate verse translation of the six best plays by one of the most influential of all classical Latin writers. The volume includes Phaedra, Oedipus, Medea, Trojan Women, Hercules Furens, and Thyestes, together with an invaluable introduction and notes. This is a lively, readable and accurate verse translation of the six best plays by one of the most influential of all classical Latin writers." Orestes and Other Plays Ion Orestes The Phoenician Women The Suppliant Women In these four plays Euripides explores ethical and political themes,contrasting the claims of patriotism with family loyalty, pragmatism and expediency with justice, and the idea that 'might is right' with the ideal of clemency. Ion is a vivid portrait of the role of chance in human life and an exploration of family relationships, which combines a sympathetic portrait of a rape victim with remarks on Athenian xenophobia. In Orestes, the most popular of the tragedian's plays in the ancient world, Euripides explores the emotional consequences of Orestes' murder of his mother on the individuals concerned, and makes the tale resonate with advice to Athens about the threat to democracy posed by political pressure groups. The Suppliant Women is a commentary on the politics of empire, as the Athenian king Theseus decides to use force of arms rather than persuasion against Thebes. The Phoenician Women transforms the terrible conflict between Oedipus' sons into one of the most savage indictments of civil war in Western literature by highlighting the personal tragedy it brings. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. A SELECTION OF OXFORD WORLD'S CLASSICS An Anthology of Elizabethan Prose Fiction An Anthology of Seventeenth - Century ... SIR PHILIP SIDNEY The Old Arcadia The Major Works IZAAK WALTON The Compleat Angler A SELECTION OF OXFORD WORLD'S ..." The Trojan Women and Other Plays Hecuba The Trojan Women Andromache In the three great war plays contained in this volume Euripides subjects the sufferings of Troy's survivors to a harrowing examination. The horrific brutality which both women and children undergo evokes a response of unparalleled intensity in the playwright whom Aristotle called the most tragic of the poets. Yet the new battleground of the aftermath of war is one in which the women of Troy evince an overwhelming greatness of spirit. We weep for the aged Hecuba in her name play and in The Trojan Women, yet we respond with an at times appalled admiration to her resilience amid unrelieved suffering. Andromache, the slave-concubine of her husband's killer, endures her existence in the victor's country with a Stoic nobility. Of their time yet timeless, these plays insist on the victory of the female spirit amid the horrors visited on them by the gods and men during war. He has translated Euripides' Medea and Other Plays and Bacchae and Other Plays for Oxford World's Classics, and his other books include A Dictionary of Latin and Phrases and works on Sheridan. EDITH HALL is Leverhulme Professor of Greek ..." Gender and the City in Euripides' Political Plays The present study makes use of recent insights into classical Greek conceptions of gender (in real life and on stage) and Athenian notions of civic identity to demonstrate that the political plays are, in face, intellectually subtle and structurally coherent exercises in political theorizing - works that use complex interactions between female and male characters to explore the advantages, and costs, of being a member of the polis."--BOOK JACKET. Also published by OXFORD UNIVERSITY PRESS Euripides : Hecuba , Trojan Women , Andromache Translated by James Morwood ... with an introduction by Edith Hall Oxford World's Classics Euripides : Medea and Other Plays Translated by James ..." Euripides Talks Actors of Dionysus (aod), formed in 1993 to tour Classical drama in translation and have established themselves as the leading exponents of Greek tragedy in contemporary theatre and education. With many national and international touring productions, two DVDs, a Penguin audio book of "Medea" and a whole series of pre-performance talks issued in their journal "Dionysus\ James Morwood is Emeritus Fellow of Wadham College, Oxford, and the author of many books, including, as translator, Euripides: Medea and Other Plays ( Oxford World's Classics, 1998) and Euripides: The Trojan Women and Other Plays (Oxford ..." The 2020 Bibliographical Catalogue of Oxford World's Classics This is a bibliographical catalogue of all titles that include poetry as published in the Oxford World's Classics series. Not all titles that have ever been published are listed by Oxford University Press as many of the older titles in the series are simply not listed on the publisher's website or official catalogues. Therefore, this bibliographical catalogue seeks to fill a need by listing all known poetry titles that are not to be found in any official catalogue published by the publisher as well as those titles that are indeed listed. To this end, this catalogue includes prose titles that contain a selection of verse as well as titles that only contain poems. This bibliographical catalogue is aimed at readers with a love for classic poetry and who want a readily available reference for all known poetry titles that have been published in one of the best and most well-known classics series. ISBN: 9780199538975 Sir Philip Sidney, The Major Works , ed. Katherine Duncan-Jones ISBN: 97801995338416 Sir Philip Sidney and Mary Sidney, The Sidney Psalter, ed. Hannibal Hamlin, Michael G. Brennan, Margaret P. Hannay and Noel J." The Tragic Imagination The Literary Agenda is a series of short polemical monographs about the importance of literature and of reading in the wider world and about the state of literary education inside schools and universities. The category of 'the literary' has always been contentious. What is clear, however, is how increasingly it is dismissed or is unrecognised as a way of thinking or an arena for thought. It is sceptically challenged from within, for example, by the sometimes rival claims of cultural history, contextualized explanation, or media studies. It is shaken from without by even greater pressures: by economic exigency and the severe social attitudes that can follow from it; by technological change that may leave the traditional forms of serious human communication looking merely antiquated. For just these reasons this is the right time for renewal, to start reinvigorated work into the meaning and value of literary reading. This short but thought-provoking volume asks the question 'What is it that tragedy makes us know?'. The focus is on tragedy as a mode of representing the experience of radical suffering, pain, or loss, a mode of narrative through which we come to know certain things about ourselves and our world—about its fragility and ours. Through a mixture of historical discussion and close reading of a number of dramatic texts—from Sophocles to Sarah Kane—the book addresses a wide range of debates: how tragedy is defined, whether there is such a thing as 'absolute tragedy', various modern attempts to rework the classical heritage and the relation of comedy to tragedy. There is also a fresh discussion of whether religious—particularly Christian—discourse is inimical to the tragic, and of the necessary tension between tragic narrative and certain kinds of political as well as religious rhetoric. Rowan Williams argues that tragic drama both articulates failure and frailty and, in affirming the possibility of narrating the story of traumatic loss, refuses to settle for passivity, resignation, or despair. In this sense, it still shows the trace of its ritual and religious roots. And in challenging two-dimensional models of society, power, humanity and human knowing, it remains an intrinsic part of any fully humanist culture. At the National Theatre in 2014, directed by Carrie Cracknell, and at the Almeida in 2015 (in Rachel Cusk's adaptation), ... by James Morwood in Oxford World's Classics, Euripides: Medea and Other Plays , Oxford University Press 1997." Guilt and Extenuation in Tragedy This comparative literary study re-evaluates French tragedy’s impact on current approaches to guilt and extenuation. Focussing on Racine but ranging widely, it sheds original light on tragic archetypes through the lenses of performance theory and modern attitudes towards blame. Medea herself, later in Euripides' play , alludes to this category of excuse, although she does so dishonestly. ... Medea and Other Plays , trans. James Morwood (Oxford: Oxford University Press, Oxford World Classics), 1998, p. 16." The Well-Educated Mind: A Guide to the Classical Education You Never Had (Updated and Expanded) The enduring and engaging guide to educating yourself in the classical tradition. Have you lost the art of reading for pleasure? Are there books you know you should read but haven’t because they seem too daunting? In The Well-Educated Mind, Susan Wise Bauer provides a welcome and encouraging antidote to the distractions of our age, electronic and otherwise. Newly expanded and updated to include standout works from the twenty-first century as well as essential readings in science (from the earliest works of Hippocrates to the discovery of the asteroid that killed the dinosaurs), The Well-Educated Mind offers brief, entertaining histories of six literary genres—fiction, autobiography, history, drama, poetry, and science—accompanied by detailed instructions on how to read each type. The annotated lists at the end of each chapter—ranging from Cervantes to Cormac McCarthy, Herodotus to Laurel Thatcher Ulrich, Aristotle to Stephen Hawking—preview recommended reading and encourage readers to make vital connections between ancient traditions and contemporary writing. The Well-Educated Mind reassures those readers who worry that they read too slowly or with below-average comprehension. If you can understand a daily newspaper, there’s no reason you can’t read and enjoy Shakespeare’s sonnets or Jane Eyre. But no one should attempt to read the “Great Books” without a guide and a plan. Bauer will show you how to allocate time to reading on a regular basis; how to master difficult arguments; how to make personal and literary judgments about what you read; how to appreciate the resonant links among texts within a genre—what does Anna Karenina owe to Madame Bovary?—and also between genres. In her best-selling work on home education, The Well-Trained Mind, the author provided a road map of classical education for parents wishing to home-school their children; that book is now the premier resource for home-schoolers. In The Well-Educated Mind, Bauer takes the same elements and techniques and adapts them to the use of adult readers who want both enjoyment and self-improvement from the time they spend reading. Followed carefully, her advice will restore and expand the pleasure of the written word. In Selected Poems, by Paul Laurence Dunbar (New York: Dover Publications , 1997), p. 17 19Marie Boroff, preface to Sir Gawain and the Green Knight , trans. Boroff, p. x. 20Jerome J. McGann, The Romantic Ideology: A Critical Investigation ..." The Plays of Euripides Over the past decades there has been something of a revolution in the way we view classical drama generally and Euripides in particular. This book, updated in a second edition, reflects that revolution and aims to show how Euripides was continually reinventing himself. A truly Protean figure, he seems to set out on a new journey in each of his surviving 19 plays. Between general introduction and final summary, Morwood's chapters identify the themes that underlie the plays and concentrate, above all, on demonstrating the extraordinary diversity of this great dramatist. New to this edition, which is updated throughout, are further details on the individual plays and extra suggestions for background reading. The volume is a companion to The Plays of Sophocles and The Plays of Aeschylus (both by Alex Garvie) also available in second editions from Bloomsbury. A further essential guide to the themes and context of ancient Greek tragedy may be found in Laura Swift's new introductory volume, Greek Tragedy. This book, updated in a second edition, reflects that revolution and aims to show how Euripides was continually reinventing himself. A truly Protean figure, he seems to set out on a new journey in each of his surviving 19 plays." While the Bridegroom is with them' Interpreters of Matthew's Parable of the Wedding Feast (22.1-14) typically associate the 'king' with God and then justify his violent attacks against city and guests; interpreters of the Parable of the Ten Virgins (25.1-13) typically associate the 'bridegroom' with Jesus and then justify his extreme rejection of the 'foolish virgins.' Questioning such allegorical interpretations, this study first details how Hebrew, Greek, and Roman texts depict - without requiring allegorical understandings - numerous bridegrooms associated not only with joy but also with violence and death. Second, this project appeals to the disruptive nature of parables, the feminist technique of resisting reading, and the Matthean Jesus's own ethical instructions to argue that in the parables, those who resist violent rulers and uncaring bridegrooms are the ones worthy of the Kingdom. The study then shows how the Matthean Jesus - the brideless, celibate bridegroom -- creates a fictive family by disrupting biological and marital ties, redefining masculinity, and undermining the desirability of marriage and procreation. JSNTS 292 Euripides: Medea and Other Plays ( Oxford World's Classics; Oxford: Oxford University Press, 1998), pp. 1–38. Mosala, I.J., “Social Scientific Approaches to the Bible: One Step Forward, Two Steps Backward', Journal of Theology for ..." Stevie Smith and the Aphorism This volume argues that aphorism represents a tool for the social management of emotion. Rhetorically corralled into a slick, collectable shape, the aphorism promises arresting and instantaneous epiphany. However, the accomplished elegance which positions the aphorism's message as self-evidently true in fact works to repel further enquiry, and ultimately ensures that it will be forgotten or bypassed in favour of another aphorism: no less eagerly embraced for the earlier disappointment. Aphorism, therefore, is a form in which dangerous ideas and emotions can be safely displayed and, simultaneously, effaced. Because aphorism's style defuses the imperative to act on what is clearly known, writers like Stevie Smith can use the form to stage a withdrawal from the burden of making an impact on the world. This book finds that Smith's use of aphorism and its related forms (proverb, epitaph, caption, and fragment) offers a route into her texts. With her disconcerting pen-and-ink drawings, dark comedy, and social ventriloquism which stops short of satire, the rhetorical force of Smith's poetry fascinates and arrests its readers, but nevertheless leaves them unable to react coherently or identify the use-value which her writing appears to promise. Drawing on hitherto unpublished archival material, this project argues that Smith's texts resist analysis because, like the aphorisms embedded throughout them, they offer and exemplify a mode of clearly-declared revelation which, at the same time, makes itself unusable. Orestes and Other Plays , edited and translated by Philip Vellacott. Har- mondsworth: Penguin, 1972. Euripides. Medea and Other Plays , translated by James Morwood. Oxford: Oxford World's Classics, 1998. F. M. 'Among the New Books'." Some Organic Readings in Narrative, Ancient and Modern: Gathered and originally presented as a book for John This volume in honour of John Morgan contains seventeen essays by colleagues, research students, and post-doctoral researchers who have worked with and been influenced by him during his 40 years in Swansea, up to and beyond his retirement in 2015. It is designed to reflect the esteem and affection in which the honorand is held, as teacher, supervisor, colleague, and friend. All the contributions reflect John Morgan's interests, with a particular focus on narrative, which has always been at the forefront of his teaching and research: he has elucidated the forms, structures, strategies, and functions of numerous ancient narratives, especially fictional, in a voluminous body of scholarship. The contributors consider a wide range of narratives, extending from those which show the influence of older stories on the beginnings of ancient Greek civilisation, through various narrative genres in different periods of antiquity, and up to later eras when the impact of Greek and Roman learning, stories, and ideas has been felt. The core of this volume contains discussions of narratives from the Roman imperial period, since this is the area to which the majority of John Morgan's work has been devoted and where his research has seen him become a world-leader in the study of the ancient Greek novel. Several of the contributions, at various stages of development, were delivered and discussed at gatherings organised under the aegis of KYKNOS, the Centre for Research on the Narrative Literatures of the Ancient World, which was established at Swansea in 2004 at John Morgan's initiative. Medea and Other Plays , Oxford: Oxford World's Classics. Paulsen, T. 1992. Inszenierung des Schicksals. Tragödie und Komödie im Roman des Heliodor, Trier: Wissenschaftlicher Verlag Trier. Pletcher, J.A. 1998." Trust in Texts Trust in Texts: A Different History of Rhetoric challenges the accepted idea of a singular rhetorical tradition poorly maintained from the Athenian Golden Age until the present. Author Susan Miller argues that oratorical rhetoric is but one among many codes that guide the production of texts and proposes that emotion and trust are central to the motives and effects of rhetoric. This groundbreaking volume makes a case for historical rhetoric as disbursed, formal and informal lessons in persuasion that are codified as crafts that mediate between what is known and unknown in particular rhetorical situations. Traditional, unified histories of rhetoric ignore the extensive historical interactions among discourses—including medicine, drama, lyric poetry, philosophy, oratory, and literary fiction—that have operated from antiquity across cultures that are historically and geographically joined. Drawing not just on traditional rhetorical works, but also on texts from philosophy and literature, Miller expands the body of works to be considered in the study of rhetoric. As the first book-length study that calls into question the centrality of logos to rhetoric, Trust in Texts will change the way the history of rhetoric is viewed and taught and will be essential to scholars and students of communications, rhetoric, English, classics, and literary studies. Euripides . Medea and Other Plays . Trans . James Marwood . Oxford World Clas- sics . Oxford : Oxford UP , 1998 . Feather , John . The Provincial Book Trade in Eighteenth - Century England . Cam- bridge : Cambridge UP , 1986 ." Birds and Other Plays Aristophanes is the only surviving representative of Greek Old Comedy, the exuberant, satirical form of festival drama which flourished during the heyday of classical Athenian culture in the fifth century BC. His plays are characterized by extraordinary combinations of fantasy and satire,sophistication and vulgarity, formality and freedom. Birds is an escapist fantasy in which two dissatisfied Athenians, in defiance of men and gods, bring about a city of birds, the eponymous Cloudcuckooland. In Lysistrata the heroine of the play organizes a sex-strike and the wives of Athens occupythe Akropolis in an attempt to restore peace to the city. The main source of comedy in the Assembly-Women is a similar usurpation of male power as the women attempt to reform Athenian society along utopian-communist lines. Finally, Wealth is Aristophanes' last surviving comedy, in which Ploutos, thegod of wealth is cured of his blindness and the remarkable social consequences of his new discrimination are exemplified. This is the first complete verse translation of Aristophanes' comedies to appear for more than twenty-five years and makes freshly available one of the most remarkable comic playwrights in the entire Western tradition, complete with an illuminating introduction including play by play analysis anddetailed notes. A SELECTION OF OXFORD WORLD'S CLASSICS Classical Literary Criticism The First Philosophers : The Presocratics and the ... Poems of Catullus Bacchae and Other Plays Medea and Other Plays The Histories The Iliad The Odyssey The Complete ..." The Interpretation of Dreams 'Dreams are products of the mind, and do not come from any external source' Artemidorus' The Interpretation of Dreams (Oneirocritica) is the richest and most vivid pre-Freudian account of dream interpretation, and the only dream-book to have survived complete from Greco-Roman times. Written in Greek around AD 200, when dreams were believed by many to offer insight into future events, the work is a compendium of interpretations of dreams on a wide range of subjects relating to the natural, human, and divine worlds. It includes the meanings of dreams about the body, sex, eating and drinking, dress, the weather, animals, the gods, and much else. Artemidorus' technique of dream interpretation stresses the need to know the background of the dreamer, such as occupation, health, status, habits, and age, and the work is a fascinating social history, revealing much about ancient life, culture, and beliefs, and attitudes to the dominant power of Imperial Rome. Martin Hammond's fine translation is accompanied by a lucid introduction and explanatory notes by Peter Thonemann, which assist the reader in understanding this important work, which was an influence on both Sigmund Freud and Michel Foucault. A SELECTION OF OXFORD WORLD'S CLASSICS FRANCIS BACON APHRA BEHN John BUNYAN John DoNNE John FoxE BEN JONSON John MILTON EARL OF ROCHESTER SIR PHILIP SIDNEY SIR PHILIP and MARY SIDNEY An Anthology of Elizabethan Prose Fiction Early ..." The Art of Rhetoric For all men are persuaded by considerations of where their interest lies... Aristotle's Art of Rhetoric is the earliest systematic treatment of the subject, and it remains among the most incisive works on rhetoric that we possess. In it, we are asked: What is a good speech? What do popular audiences find persuasive? How does one compose a persuasive speech? Aristotle considers these questions in the context of the ancient Greek democratic city-state, in which large audiences of ordinary citizens listened to speeches pro and con before casting the votes that made the laws, decided the policies, and settled the cases in court. Persuasion by means of the spoken word was the vehicle for conducting politics and administering the law. After stating the basic principles of persuasive speech, Aristotle places rhetoric in relation to allied fields such as politics, ethics, psychology, and logic, and he demonstrates how to construct a persuasive case for any kind of plea on any subject of communal concern. Aristotle views persuasion flexibly, examining how speakers should devise arguments, evoke emotions, and demonstrate their own credibility. The treatise provides ample evidence of Aristotle's unique and brilliant manner of thinking, and has had a profound influence on later attempts to understand what makes speech persuasive. The new translation of the text is accompanied by an introduction discussing the political, philosophical, and rhetorical background to Aristotle's treatise, as well as the composition and transmission of the original text and an account of Aristotle's life. OXFORD WORLD'S CLASSICS FrANCIS BACON AphrA BEhN JOhN BuNyAN JOhN DONNE JOhN FOxE BEN JONSON JOhN MILTON EArL OF ROChESTEr SIr PhILIp SIdNEy SIr PhILIp and MAry SIdNEy IzAAk WALTON An Anthology of Elizabethan Prose Fiction Early Modern ..." Theatres of Contagion To what extent is theatre a contagious practice, capable of undoing and enlivening people and cultures? Theatres of Contagion responds to some of the anxieties of our current political and cultural climate by exploring theatre's status as a contagious cultural force, questioning its role in the spread or control of medical, psychological and emotional conditions and phenomena. Observing a diverse range of practices from the early modern to contemporary period, the volume considers how this contagion is understood to happen and operate, its real and imagined effects, and how these have been a source of pleasure and fear for theatre makers, audiences and authorities. Drawing on perspectives from medicine, neuroscience, psychology, anthropology, philosophy, law and affect theory, essays investigate some of the ways in which theatre can be viewed as a powerful agent of containment and transmission. Among the works analysed include a musical adaptation and an intercultural variation of Shakespeare's Romeo and Juliet; a contemporary queer take on Hamlet; Grand Guignol and theatres of horror; the writings and influence of Artaud; immersive theatre and the work of Punchdrunk, and computer gaming and smartphone apps Euripides (2003), Medea and Other Plays , London: Penguin Books. Felton-Dansky, M. (2018), Viral Performance: Contagious ... Ibsen, H. ([1879] 2008), 'A Doll's House', in Henrik Ibsen: Four Major Plays , Oxford: Oxford World Classics." The Birth of Tragedy This new edition of Nietzsche's discussion of the nature of art, science, and religion, expounds on the origins of Greek tragedy and its relevance to the German culture of its time. The book's argument raises important questions about the problematic nature of cultural origins, which are still valid today. BOETHIUS CAESAR GALEN HERODOTUS MORE ABOUT OXFORD WORLD'S CLASSICS The Oxford World's Classics Website ... The Republic and The Laws Bacchae and Other Plays Medea and Other Plays Orestes and Other Plays The Trojan Women and Other Plays ..." Theogony and Works and Days Hesiod, who lived in Boetia in the late eighth century BC, is one of the oldest known, and possibly the oldest of Greek poets. His Theogony contains a systematic genealogy of the gods from the beginning of the world and an account of the struggles of the Titans. In contrast, Works and Days is a compendium of moral and practical advice on husbandry, and throws unique and fascinating light on archaic Greek society. As well as offering the earliest known sources for the myths of Pandora, Prometheus and the Golden Age, Hesiod's poetry provides a valuable account of the ethics and superstitions of the society in which he lived. Unlike Homer, Hesiod writes about himself and his family, and he stands out as the first personality in European literature. This new translation, by a leading expert on the Hesiodic poems combines accuracy with readability. It is accompanied by an introduction and explanatory notes. Hesiod, who lived in Boetia in the late eighth century BC, is one of the oldest known, and possibly the oldest of Greek poets." The Plays and Fragments The greatest writer of Greek New Comedy and the founding father of European comedy, Menander (c.341-290 BC) wrote over one hundred plays, of which only one complete play and substantial fragments of others survive. This new verse translation is accurate and highly readable, providing a consecutive text by using surviving words in the damaged papyri. A SELECTION OF OXFORD WORLD'S CLASSICS Classical Literary Criticism The First Philosophers : The Presocratics and the ... and Other Plays Heracles and Other Plays Medea and Other Plays Orestes and Other Plays The Trojan Women and Other ..." Hellenistic Lives Alexander * Demosthenes * Phocion * Eumenes * Demetrius * Pyrrhus * Agis and Cleomenes * Aratus * Philopoemen * Flamininus This selection of ten Lives traces the history of Hellenistic Greece from the rise of Macedon and Alexander's conquest of the Persian empire to the arrival of the Romans. Plutarch's biographies of eminent politicians, rulers, and soldiers combine vivid portraits of their subjects with a wealth of historical information; they constitute a uniquely important source for the period. We see how Greek politics changed as Macedon's power grew, and we learn of the warlords who followed Alexander. Resistance to Macedon is reflected in the Lives of Demosthenes and Aratus, and that of Agis and Cleomenes, two revolutionary kings of Sparta. The volume concludes with the emergence of Rome in Greek affairs, and the life of Flamininus, the Roman general who defeated Philip V of Macedon. Plutarch's elegant style combines anecdote and erudition, humour and psychological insight, consummately translated by Robin Waterfield and introduced by Andrew Erskine. These Lives from the Hellenistic period complement Greek Lives and Roman Lives in Oxford World's Classics. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. A SELECTION OF OXFORD WORLD'S CLASSICS APOLLODORUS APOLLONIUS OF RHODES APULEIUS ARISTOPHANES ARISTOTLE ARRIAN ... and Other Plays Heracles and Other Plays Medea and Other Plays Orestes and Other Plays The Trojan Women and Other Plays ..." Memories of Socrates 'Who would you say knows himself?' In 399 BCE Socrates was tried in Athens on charges of irreligion and corruption of the young, convicted, and sentenced to death. Like Plato, an almost exact contemporary, in his youth Xenophon (c. 430-c. 354 BCE) was one of the circle of mainly upper-class young Athenians attracted to Socrates' teaching. His Memorabilia is both a passionate defence of Socrates against those charges, and a kaleidoscopic picture of the man he knew, painted in a series of mini-dialogues and shorter vignettes, with a varied and deftly characterized cast--entitled and ambitious young men, atheists and hedonists, artists and artisans, Socrates' own stroppy teenage son Lamprocles, the glamorous courtesan Theodote. Topics given Socrates' characteristic questioning treatment include education, law, justice, government, political and military leadership, democracy and tyranny, friendship, care of the body and the soul, and concepts of the divine. Xenophon sees Socrates as above all a supreme moral educator, coaxing and challenging his associates to make themselves better people, not least by the example of how he lived his own life. Self-knowledge, leading to a reasoned self-control, was for Socrates the essential first step on the path to virtue, and some found it uncomfortable. The Apology is a moving account of Socrates' behaviour and bearing in his last days, immediately before, during, and after his trial. A SELECTION OF APOLLODORUS APOLLONIUS of Rhodes APULEIUS ARISTOPHANES ARISTOTLE OXFORD WORLD'S CLASSICS Classical ... and Other Plays Heracles and Other Plays Medea and Other Plays Orestes and Other Plays The Trojan Women and Other ..." The Essential Mòzǐ 'The task of the benevolent person is surely to diligently seek to promote the benefit of the world and eliminate harm to the world' The Mòzǐ is among the founding texts of the Chinese philosophical tradition, presenting China's earliest ethical, political, and logical theories. The collected works introduce concepts, assumptions, and issues that had a profound, lasting influence throughout the classical and early imperial eras. Mòzǐ and his followers developed the world's first ethical theory, and presented China's first account of the origin of political authority from a state of nature. They were prominent social activists whose moral and political reform movement sought to improve the welfare of the common people and eliminate elite extravagance and misuse of power. In this new translation, Chris Fraser focuses on the philosophical aspects of the writing and allows readers to truly enter the Mohists' world of thought. This abridged edition includes the essential political and social topics of concern to this vital movement. Informed by traditional and recent scholarship, the translation presents the Mohists' ideas and arguments clearly, precisely, and coherently, while accurately reflecting the meaning, terminology, and style of the original. Ethical, Political, and Dialectical Writings Mo Zi. A SELECTION OF OXFORD WORLD'S CLASSICS FRANCIS BACON APHRA BEHN John BUNYAN John DoNNE John FoxE BEN JONSON John MILTON EARL OF ROCHESTER SIR PHILIP SIDNEY SIR PHILIP and MARY SIDNEY ..." Alexander the Great Arrian's account of Alexander's life and campaigns, published as the Anabasis and its companion piece the Indica, is our prime source for the history of Alexander, told with great narrative skill. This edition features a new translation of both texts, introduction, notes, guide to military systems and terminology, maps and a full index. OXFORD WORLD'S CLASSICS Apollodorus Apollonius of Rhodes Apuleius Aristophanes Aristotle Boethius Caesar Catullus ... and Other Plays Heracles and Other Plays Medea and Other Plays Orestes and Other Plays The Trojan Women and Other ..." The Iliad The Iliad has had a far-reaching impact on Western literature and culture, inspiring writers, artists and classical composers across the ages. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features an introduction by classicist, writer and broadcaster Natalie Haynes, author of A Thousand Ships and host of her own BBC Radio 4 show, Natalie Haynes Stands up for the Classics. Paris, a Trojan prince, wins Helen as his prize for judging a beauty contest between three goddesses, and abducts her from her Greek husband Menelaos. The Greeks, enraged by his audacity, sail to Troy and begin a long siege of the city. The Iliad is set in the tenth year of the war. Achilles – the greatest Greek warrior – is angry with his commander, Agamemnon, for failing to show him respect. He refuses to fight any longer, which is catastrophic for the Greeks, and results in personal tragedy for Achilles, too. With themes of war, rage, grief and love, The Iliad remains powerful and enthralling more than 2,700 years after it was composed. This edition is translated into prose by Andrew Lang, Walter Leaf and Ernest Myers. With themes of war, rage, grief and love, The Iliad remains powerful and enthralling more than 2,700 years after it was composed. This edition is translated into prose by Andrew Lang, Walter Leaf and Ernest Myers." Rome's Italian Wars "Here is a superb new translation of Books 6 to 10 of Livy's monumental history of Rome, covering the period when Rome, in a series of ever greater wars, imposed mastery over virtually the entire Italian peninsula. Livy paints vivid portraits of all the notable figures, such as young Manlius Torquatus, victor in a David-versus-Goliath duel with a Gallic chieftain, and Appius Claudius who built Rome's first major highway, the Appian Way. Livy's blend of factual narrative and imaginative recreation brings to life a key moment in the rise of Rome, and the one complete account we have, as the city passes from the mists of legend into the light of history. J. C. Yardley's translation gives a vivid sense of the energy, variety, and literary skill of Livy's great work. Dexter Hoyos's Introduction sets Livy in the context of Roman historiography and deftly explains why this period was so critical an era for the rise of Rome. The most up-to-date edition, drawing on the latest scholarship, this major work of Roman literature and history includes comprehensive notes that clarify problems of historical content, topography, and chronology, a detailed glossary of Roman technical terms, an appendix on the Roman legion of the time, and two maps."--Publisher's website. OXFORD WORLD'S CLASSICS An Anthology of Elizabethan Prose Fiction An Anthology of Seventeenth-Century Fiction Early ... Sir Philip Sidney The Old Arcadia The Major Works Izaak Walton The Compleat Angler a selection of OXFORD WORLD'S ..." Epigrams The poet we call Martial, Marcus Valerius Martialis, lived by his wits in first-century Rome. Pounding the mean streets of the Empire's capital, he takes apart the pretensions, addictions, and cruelties of its inhabitants with perfect comic timing and killer punchlines. Social climers and sex-offenders, rogue traders and two-faced preachers - all are subject to his forensic annihilations and often foul-mouthed verses. Packed with incident and detail, Martial's epigrams bring Rome vividly to life in all its variety; biting satire rubs alongside tender friendship, lust for life beside sorrow for loss. Gossipy, clever, and above all entertaining, they express amusement as much as indigtation at the vices they expose. A SELECTION OF OXFORD WORLD'S CLASSICS An Anthology of Elizabethan Prose Fiction Early Modern Women's Writing Three ... OF ROCHESTER Selected Poems SIR PHILIP SIDNEY The Old Arcadia The Major Works The Sidney Psalter IZAAK WALTON The ..." Anecdotes and Antidotes To my knowledge...no one...has ever written a comprehensive book dealing with physicians through the ages and recounting their history in a coherent fashion. So wrote Syrian physician Ibn Abi Usaybi'ah, circa 1243, as he embarked on the first world history of medicine ever attempted. Many physicians served at the royal courts of their time and were firmly part of the intellectual and cultural scene, where the ability to write stylishly and entertain one's peers in both prose and verse was the basis of social credibility. The work Ibn Abi Usaybi'ah created contains over 432 biographical accounts of physicians from those of ancient Greece, such as Galen, through Avicenna and Maimonides, to the author's own colleagues of the 13th century. As such, his work includes important accounts of medical activity in medieval hospitals. Through this book, a window opens not only on to the origins of the medical profession, but also into the truly multi-cultural, multi-religious world of the medieval Middle East. Anecdotes and Antidotes is an abridged version of this world history of medicine. It comprises 103 biographies of physicians and philosophers, organized geographically and chronologically, from the 4th century BC to the 13th century, and includes seminal Muslim, Christian and Jewish figures. It contains vital medical and historical information, as well as revealing the cultural values, interests and concerns of the literary and intellectual elite of the time. A SELECTION OF OXFORD WORLD'S CLASSICS APOLLODORUS APOLLONIUS OF RHODES APULEIUS ARISTOPHANES ARISTOTLE ARRIAN ... and Other Plays Heracles and Other Plays Medea and Other Plays Orestes and Other Plays The Trojan Women and Other Plays ..." Theaetetus 'What exactly is knowledge?' The Theaetetus is a seminal text in the philosophy of knowledge, and is acknowledged as one of Plato's finest works. Cast as a conversation between Socrates and a clever but modest student, Theaetetus, it explores one of the key issues in philosophy: what is knowledge? Though no definite answer is reached, the discussion is penetrating and wide-ranging, covering the claims of perception to be knowledge, the theory that all is in motion, and the perennially tempting idea that knowledge and truth are relative to different individuals or states. The inquirers go on to explore the connection between knowledge and true judgement, and the famous threefold definition of knowledge as justified true belief. Packed with subtle arguments, the dialogue is also a work of literary genius, with an unforgettable portrait of Socrates as a midwife of wisdom. This new edition uses the acclaimed translation by John McDowell. It includes a valuable introduction that locates the work in Plato's oeuvre, and explains some of the competing interpretations of its overall meaning. The notes elucidate Plato's arguments and draw connections within the work and with other philosophical discussions. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. OXFORD WORLD'S CLASSICS Francis Bacon Aphra Behn John Bunyan John Donne Ben Jonson John Milton Sir Philip Sidney ... The Isle of Pines) Essays The Major Works Oroonoko and Other Writings The Rover and Other Plays Grace Abounding The ..." Discourses, Fragments, Handbook This is the only complete modern translation of Epictetus's Discourses, together with the Handbook and fragments. A major work of Stoic practical ethics, the Discourses teach that the basis of happiness is up to us. This accessible new translation is accompanied by a full introduction and thorough notes. OXFORD WORLD'S CLASSICS Francis Bacon Aphra Behn John Bunyan John Donne Ben Jonson John Milton Sir Philip Sidney ... The Isle of Pines) Essays The Major Works Oroonoko and Other Writings The Rover and Other Plays Grace Abounding The ..." An Enquiry Concerning Political Justice Godwin's Political Justice is the founding work of philosophical anarchism. Drawing on the principles of liberty and utility Godwin criticizes government and all forms of secular and religious authority, advocating the free exercise of individual judgement. He raises enduring questions about the nature of our duty to others. OXFORD WORLD'S CLASSICS Francis Bacon Aphra Behn John Bunyan John Donne Ben Jonson John Milton Sir Philip Sidney ... The Isle of Pines) Essays The Major Works Oroonoko and Other Writings The Rover and Other Plays Grace Abounding The ..."